In this book, Bartimaeus is essentially the predominant figure. The fact that he could not seem to let go of Bartimaeus, the only one who still has a scathing tongue to throw at him despite his highly influential stature in the government (unlike the other demons who kowtow to Mandrake), and still calls him an idiot to his face – is a testament to his all-too-surprising level of sentimentality (despite his continual attempts to show otherwise) and the innate child in him who wants to grin sheepishly at every loving chastisement. John Mandrake in him, in his reflective attempts to take responsibility for his many foibles as a magician and as a human being. Nathaniel, one of the human protagonists in the narrative, has gradually begun to shed the Mr. This book is ambitious in the sense that it attempts to discuss the esoteric concepts of space-time-dimension continuums with a lot of actual historical facts thrown hodgepodge into the mix – yet it manages to do that with its usual attempts at satire and comical derision, thanks to the endearing Bartimaeus (I am certain he didn’t mean to be that way, which makes him all the more delightful). Asian Festival of Children’s Content (AFCC).Literary Voyage Around The World Reading Challenge 2018.
#WomenReadWomen2019 (A Year Of Women Reading Women) Reading Progress.#ReadIntl2020 (Year Of International Literature) Reading Progress.
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